Meet the artist behind the animation
Hanna Gorczynska
I was born and raised in the simplicity of a working-class family in southwestern Poland. The daughter of a railway worker father and a homemaker mother, I grew up with Eastern European and Scandinavian animations broadcasted on national television every evening—folk tales and surreal bedtime stories that sparked my imagination and made me pick up crayons as a child, while years later, discovering the works of Tarkovsky, Kurosawa, Kusturica, and Godard led me to think profoundly about the power of visual image.
My parents also had many books, the sort with mid-20th-century illustrations, the sort you can now only find in antique shops. As a child, these books meant little to me, but their covers had a distinct style—one that belonged to a bygone era, impossible to forget because it seemed to come from the very soul of its creator. Images as tantalizing to the eye as the smell of old paper was to the nose. The kind of cover illustrations that stay with you long after you've placed the book back on the shelf.
At university, I honed my skills in digital drawing and animation, exploring motion graphics during my year-long placement in the commercial industry. While it was a valuable experience, it left me craving a style that broke free from the rigid structures of clients’ expectations. In my final year, I found respite in creating work that felt more personal, expressive, and alive—filled with hand-drawn aesthetics and painterly illustration that celebrate slice-of-life stories.
My artistic influences are deeply rooted in Eastern European visual storytelling. The dreamlike atmosphere and delicate textures of Yuri Norstein’s animations taught me the power of subtle, living imagery. Jiří Trnka's illustrations and films, rich in atmosphere and intricate compositions, shaped my appreciation for handcrafted, expressive art. Ivan Bilibin’s decorative, storybook-like approach inspired my treatment of natural settings, weaving folklore into visual storytelling. And, of course, Polish illustrators of the mid-20th century—with their bold yet intimate use of colour, texture, and composition—left an indelible mark on my aesthetic sensibilities.
I find beauty in the quiet resilience of ordinary moments, weaving together themes of intergenerational knowledge, familial bonds, and grounded optimism. Through realism and subtle defamiliarization, I aim to offer viewers a chance to see familiar moments in a new light, tinged with a touch of timeless, relatable wisdom.
My art is about capturing the challenges and beauty of everyday existence, one heartfelt frame at a time.

Meet the Voice talents
Brandon Knotts
Originally for the first good 10 years of my life I intended to go into train driving as a career but quickly made work into attempting to step my foot into what I could for acting in general after seeing "Captain America: Civil War", where something there just clicked with me thus changing my life and by 2017 I had a few roles for voice acting work under my belt with a YouTube sketch comedy series of "Games' Funniest Moments".
Since then I've been on stage as a clown, dived into Shakespeare, got a decent class rep as a damn good naturalistic and physical performer and put my voice to work a good bit!
Overall I more consist of an optimistic outlook than most, as being directly told so by others, and have a ton of energy for really anything. My general aim for acting is to go towards a more 'Jack of all trades' deal where essentially whatever comes along I'm gonna at least try my damn best at it, one life amiright?
ģirts Jermacāns
Working on this slice-of-life animation was simply lovely: entering the studio, recording my own voice, and experiencing the entire process was a real joy. There was no pressure, and we genuinely had a great time in the booth. The story resonated deeply with me—neighbors arguing in the distance, footsteps thundering down the stairs, days spent wandering through Latvian forests—all mirrored memories from my own childhood, so I was thrilled to bring a bit of myself to the narrative. In my opinion, the simplicity of this tale is exactly what gives it such powerful meaning across all backgrounds; we often believe that only grand events shape our lives, yet it is the small, everyday moments that leave the most lasting impact.
Lola Parker
I’m Lola. I’m 19 and quite a quiet person, but I am very caring. I love spending time with my friends and family; I’m optimistic and always try to look on the bright side. Doing this film put me out of my comfort zone, but it was a good experience. Hearing my voice on the recording felt strange, but it was pretty cool to know that I was doing the sounds and noises. I enjoyed recording the lines for this film as I like to watch animated movies. It was an exciting and surreal experience to see how it all works and gets put together behind the scenes.


